Episode 2.09: Early Career Playwrights Special, Part 1

In this episode, I’ve assembled four self-identifying early career playwrights, Jackie Davis, David Fristrom, James Wilkinson, and Sharisse Zeeronian. I’ve had each of them come prepared to ask the one burning question they have about the business of playwriting. To help answer them, I’ve assemble a panel of experts: Ilana Brownstein of Company One, playwright Patrick Gabridge, and Boston Playwrights Theatre’s Kate Snodgrass. The conversation that ensues I hope will be a valuable resource to playwrights of all experience levels. It contains much of the information that I wish I had 15 years ago. Part 1 of 2.

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What do you not know about playwriting?

The next two episodes of the podcast will be quite different. Instead of featuring one playwright with a reading and interview, we’ve assemble four early career playwrights and asked them what’s the one thing they’d most like to know about the business of playwright. What’s their burning question? In this post, I explain why.

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Episode 2.08: Patrick Gabridge, Mox Nox

Patrick Gabridge is Boston’s new play scene’s Mr. Everything. From penning commissioned site specific work in historical sites, to being the New England region’s Dramatists Guild rep, to creating the Playwrights Marketing Binge email list, Patrick is juggling a lot of balls at once. It’s fitting that his play Mox Nox is about sleight of hand. It’s a sci-fi blended family drama with stage magic in its origin.

Guest co-host Courtney O’Connor, Associate Artistic Director of the Lyric Stage, joins us to talk to about, well, everything. Commissioned work, career arcs, site specific work, fostering relationships, the long game of playwriting… And the need for fringe productions to court disaster and go for broke.

This episode is a LOT. Be here for it.

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Episode 2.07: Charlotte Meehan, Cleanliness, Godliness, and Madness: A User's Guide

Charlotte Meehan writes multimedia pieces that play with form and speak about today’s issues, but she insists it isn’t surreal but how she views the world. Her play Cleanliness, Godliness, and Madness: A User’s Guide is a prime example. Written to be performed by her company, Sleeping Weazel, it might seem like a broadside attack on Trumpism but it’s rooted in Meehan’s family history.

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