Posts tagged Boston Theatre Marathon
Episode 2.10: Early Career Playwrights Special, Part 2

It’s Part 2 of this conversation about the business of playwriting featuring four early career playwrights (David Fristrom, Jackie Martin, James Wilkinson, and Sharisse Zeeronian) and three theatre experts (Company One’s Ilana Brownstein, playwright Patrick Gabridge, and Boston Playwrights’ Theatre’s Kate Snodgrass). In this episode, we ask the experts to each impart one key lesson to our early career playwrights, something they don’t know or have not considered. We talk about the long game of theatre, representing the world around you, and fostering a personal playwriting network.

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Episode 2.09: Early Career Playwrights Special, Part 1

In this episode, I’ve assembled four self-identifying early career playwrights, Jackie Davis, David Fristrom, James Wilkinson, and Sharisse Zeeronian. I’ve had each of them come prepared to ask the one burning question they have about the business of playwriting. To help answer them, I’ve assemble a panel of experts: Ilana Brownstein of Company One, playwright Patrick Gabridge, and Boston Playwrights Theatre’s Kate Snodgrass. The conversation that ensues I hope will be a valuable resource to playwrights of all experience levels. It contains much of the information that I wish I had 15 years ago. Part 1 of 2.

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Episode 2.07: Charlotte Meehan, Cleanliness, Godliness, and Madness: A User's Guide

Charlotte Meehan writes multimedia pieces that play with form and speak about today’s issues, but she insists it isn’t surreal but how she views the world. Her play Cleanliness, Godliness, and Madness: A User’s Guide is a prime example. Written to be performed by her company, Sleeping Weazel, it might seem like a broadside attack on Trumpism but it’s rooted in Meehan’s family history.

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